Thursday, January 7, 2010

The best Spanish débuts of the XXIst century (Part IV)

Melendi AVIV

We are on the point of entering our high positions. We have already left behind the first half of the list and some things are remaining clear (your thing to decide if for good or for evil), but many stay unknown. Who will have entered between the 20 best Spanish débuts of the XXIst century (according to us, skylight)?

This decade also has been that of the début of Melendi. Since good, since it costs, since I am glad. If it is that this time has been necessary to do neither assembly nor anything to him … That he and the sky wait sit down, man.

21. The Blue House – The effervescent sound of The Blue House (2000)

The blue house
It is necessary to have an overflowing creativity and a big musical culture there is invented a universe as The Blue House. Guille Milkyway or it has it or in fact it is only a robot programmed to make the best europop become infested with small details, arrangements and references to the popular culture that turn this project into one of the most personal of last decade in our country.

His band partners were only a product of his prodigious imagination, as eight songs that appear in this mini cd that, in spite of his short duration, already contains anthems as ‘Chewing gum Cosmos‘ and ‘Cookies‘ that others will not obtain in all his discography. But especially ‘Close to Shibuya‘, undoubtedly, one of the songs of the decade and manifesto of all his philosophy. (Koala)

A song: ' Close to Shibuya‘ (Youtube), perfect invitation to a new world, to escape of everything what surrounds us. I hope to see you there.

20. Francisco Nixon – Is perfect (2006)

Fran Nixon Es Perfect With Australian Blonde in dry dock, Fran Fernández dared to pass pass and to be thrown alone under his alias Nixon. His début for Siesta included topics that well could have been on a disc of the gijoneses or in one of The Costa Brava.

It is perfect it brought to us a series of songs of a romantic hardened one, a disc of pop woven with classic wickers, capable of being defended by a guitar, although at the last hour his partner Ricardo Vicente was joining the project.

The songs are different with capital letters that exist here: be, ‘I will marry when I fall in love‘, "Honeymoon undercover ',' We stroll around for the streets 'or' red Flags ‘. Enormous. (Víctor)

A song: ' Pupil or teacher‘ (youtube) 19. Tote King – Musician for patients (2003)

Tote King Música for patients The Hip-Hop in Spain Manuel González Rodríguez found a new name in Seville at the end of the 90 called, alias Tote King, which would turn in 2000 into the principal MC of the scene, beating to names like The Meswy, Juaninacka or Frank-T in acceptance on the part of the public and especially, the criticism, which has always recognized the Sevillian one as one of the most creative.

Musician Para Enfermos (2003, Superego) was preceded of a series of maxis and collaborations that had already demonstrated that Tote King had talent, so much with La Alta Escuela, where it coincided with Juaninacka, as in big album Your Mother Is A Seal, with his brother Shotta. Before that SFDK had already given him the opportunity to contribute choirs to his heaps, as what Tote had friends and the best relations so that his disc début was provided with Falsalarma ('Spirit'), Frank-T (’1 against 20 MC's‘), Shotta and Juan Solo (’Sound the Alarms‘), Spanish Fly (’Network Hot chili Kinkis‘) and Karvoh (’Nothing so Sick‘).

This way the Sevillian one began a career of a notable way, supporting the bragging and arrogance that the majority of the Hip-Hop has and contributing heaps acidic and well interlaced between themselves. (Natxo)

A song: 'Devout' (youtube): the religion of the fleecy clouds.

18. Lucas 15 – Lucas 15 (2008)

Lucas XV Xel Pereda, guitarist of The Invisible Spheres and Asturian folk musical veteran, convinced Nacho Vegas so that it was interfering in this project to recover you will sing traditional of Asturias and to spend them for the mincer of the rock.

Lucas 15, names that it goes out of the chapter 15, versículos 11-32 of the Evangelist, who alludes to the párabola of the bountiful son, it is also the title of a disc that claims the past without despising the present.

The result a masterpiece with cantares, well-known some of them for the Asturian of on foot, that proper did Fertile plains proper, are ‘The sacaúntos of Allariz‘ or ‘Teresina‘, milestones of a work in which Pereda does a homage to the missing person Ígor Medio (Felpeyu) on having sung ‘The fayeos of May’. (Víctor)

A song: ' The sacaúntos of Allariz‘ (youtube) 17. anti – it antiventures (2009)

Anti Antiaventura Eleven years without entering a study. More than one decade had Tito Pintado to us without songs to return with a collection of songs of electronic pop without clear modality. it antiventures, that Pop edited Federation of Universes, includes ancient topics of the gijonés like ‘Origami‘, ‘Sequences‘ or ‘The machines‘, but those who stand out in the first listening are different.

These are ‘Legendary hearts’, to duo with Teresa Iturrioz (Single) ‘The magician’, ‘Lovers rock’, ‘Choose me’ and ‘Hollywood Babylonia’, examples of a succinct electronic pop, without scarcely arrangements, very simple and with any a little dark and enigmatic touches.

The letters, finally in Castilian, neither try to count a history nor are autobiographical but there is not doubt that they are enough over those that we have usually for breakfast to ourselves every day; they are laconic, affectionate and not pretentious at all. (Víctor)

A topic: ' Legendary hearts (goear)

16. Josele Santiago – The Swallows Etc. (2004)

Josele Santiago Without the support of The Enemies, after his dissolution in 2002, Josele Santiago was free to give free rein to a new sound with a view to the Jazz, the Swing and the good Rock of letters that look like poems and that take form in a very living singer who turns his voice jet into the best of the album.

For it it is provided with an exceptional partner: Nacho Mastretta to the production, who him covers of the whole orchestral embellishment to that we listen, between good pianos lines, riffs of guitars for Pablo Novoa and the proper Santiago, wind metal and up to an accordion in ‘Sawdust‘.

Poems as these: "Listening: the dead persons say that not. The street shouts that yes”. The vitalist single of ‘Ole Papá‘ or the sad ones ‘Con Las Manos Vacías‘ and ‘Donkey‘, in the end to say to the magician: "Do not you and I stay … in that it was not going to be of love?”. A height album. (Natxo)

A song: ' Without Pardon Sleep (goear): so many readings since he loves.

The best Spanish débuts of the decade
  • Part I
  • Part II
  • Part III

0 comments:

Post a Comment